- Getting Personal With Portraits
A portrait will always be a personal image for the subject it captures. Our own face is something we find so familiar and yet so alien. It fills us with curiosity about how others see us and how we see ourselves.
But for the photographer, the camera can easily create a sense of separation from their subject. The person in front of their lens can quickly become little more than a shape; a technical problem to be solved, or an exercise for their craft.
In the above video, we invite three photographers to a portrait shoot where the gap between shooter and subject is removed, exploring what happens to a photographer’s experience when portraits become truly personal.
When you become the subject of a portrait, you’re vulnerable. And how much of yourself you’re willing to reveal is going to change the outcome of the image.
REFLECT is another experiment from THE LAB, a series designed to shift creative thinking behind the lens. Special thanks to the photographers who participated. You can explore their final images below.
Recipient of the Canon Professional Grant, Camilla Rutherford, transformed her 'one-day' photography project, into a 'today' project, focused on regenerative agriculture.
Stephen Tilley's first experience with the Canon EOS R5 on a professional shoot. Stephen test out the EOS R5 at the Pepsi campaign for 99, which included a series of images that needed to be shot using late night lighting.
Underwater photographer and Tales by Light explorer Eric Cheng is spell-bound by the majesty of the sea. Read his story here.
Over two decades, the award-winning Canon Master Stephen Dupont has been a champion for the people of fragile and marginalised cultures through his hauntingly beautiful and intimate photographs of humanity.
Behind every powerful image, is a powerful story. In this new three-part documentary series, go behind the lens with Angela and Johnathan Scott from Big Cat Diary, underwater photographer and publisher of WetPixel Eric Cheng, and war photographer Stephen Dupont.
In Tales by Light season one, Krystle Wright captures a balance of action and nature as she takes on skylining above a canyon.
Art Wolfe reveals why the fierce eyes of his subjects are the most powerful element in connecting with his audience in Tales by Light season one.
Tales by Light season one storyteller Peter Eastway reveals the art of simplicity in photography as he shoots in the great white wilderness of Antarctica.
Tales by Light season one storyteller Darren Jew captures an ethereal image that tells how death and destruction breathed new life into a world along the ocean floor.
Uniting exploration, photography and the natural world, Tales by Light offers a rare glimpse into the eyes and minds of some of Australia and the world’s best photographic storytellers.